Siren Classification Essay

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Terracotta dinos (mixing bowl)

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Terracotta vase in the form of a ketos (sea monster)

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Two bronze helmets

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Terracotta aryballos in the form of an eagle's head

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Terracotta volute-krater (vase for mixing wine and water)

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Marble statue of a kouros (youth)

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Terracotta aryballos (oil flask)

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Terracotta column-krater (bowl for mixing wine and water)

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Terracotta lekythos (oil flask)

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Bronze mirror with a support in the form of a nude girl

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Terracotta kylix (drinking cup)

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Terracotta neck-amphora (jar) with lid and knob (27.16)

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Terracotta amphora (jar)

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Terracotta amphora (jar)

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Terracotta Panathenaic prize amphora

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Bronze Herakles

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Lion felling a bull, from a marble pediment

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Terracotta Panathenaic prize amphora

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Terracotta Panathenaic prize amphora

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Terracotta psykter (vase for cooling wine)

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Terracotta hydria (water jar)

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Bronze handle of a patera (shallow basin) in the form of a youth

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Chalcedony scaraboid

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Terracotta architectural tile

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Terracotta antefix (roof tile)

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Terracotta head of a woman, probably a sphinx

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Siren, in Greek mythology, a creature half bird and half woman who lured sailors to destruction by the sweetness of her song. According to Homer there were two Sirens on an island in the western sea between Aeaea and the rocks of Scylla. Later the number was usually increased to three, and they were located on the west coast of Italy, near Naples. They were variously said to be the daughters of the sea god Phorcys or of the river god Achelous by one of the Muses.

In Homer’s Odyssey, Book XII, the Greek hero Odysseus, advised by the sorceress Circe, escaped the danger of their song by stopping the ears of his crew with wax so that they were deaf to the Sirens. Odysseus himself wanted to hear their song but had himself tied to the mast so that he would not be able to steer the ship off its course. Apollonius of Rhodes, in Argonautica, Book IV, relates that when the Argonauts sailed that way, Orpheus sang so divinely that only one of the Argonauts heard the Sirens’ song. (According to Argonautica, Butes alone was compelled by the Sirens’ voices to jump into the water, but his life was saved by the goddess Cypris, a cult name for Aphrodite.) In Hyginus’s Fabulae, no. 141, a mortal’s ability to resist them causes the Sirens to commit suicide.

Ovid (Metamorphoses, Book V) wrote that the Sirens were human companions of Persephone. After she was carried off by Hades, they sought her everywhere and finally prayed for wings to fly across the sea. The gods granted their prayer. In some versions Demeter turned them into birds to punish them for not guarding Persephone. In art the Sirens appeared first as birds with the heads of women and later as women, sometimes winged, with bird legs.

The Sirens seem to have evolved from an ancient tale of the perils of early exploration combined with an Asian image of a bird-woman. Anthropologists explain the Asian image as a soul-bird—i.e., a winged ghost that stole the living to share its fate. In that respect the Sirens had affinities with the Harpies.

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